Solo and Two-Person Exhibitions
2024, The Space Between Threads, Denver Botanic Gardens Gallery, Denver, CO
2024, Title TBA, University of Missouri Bingham Gallery, Columbia, MO (ESMA Awardee Exhibition)
2022, Memories of Future Fires, Dreamsong, Minneapolis, MN
2021, Water Ways, Praxis Gallery, Cleveland, OH
2019, Beyond Measure, Lewis Project Space, Tulsa, OK
2018, In Times of Seismic Sorrows: Rena Detrixhe and Tali Weinberg, Center for Craft Creativity & Design, Asheville, NC
2018, Variations on the Theme of Loss: Emily Chase and Tali Weinberg, 108 Contemporary, Tulsa, OK
2016, It's Not Just About the Rain, Guitar Shop Gallery, Oakland, CA
Selected Group Exhibitions
2024
A Tenuous Thread, Form & Concept, Santa Fe, NM
2023
Arrivals 2, Form & Concept, Santa Fe, NM
Digital Weaving Showcase, Praxis Gallery, Cleveland, OH
The Data Imaginary: Fears and Fantasies, Gallery Australian National University, Canberra, Australia
2022
Infinity on the Horizon, Georgia Museum of Art, Athens, GA
Forest Makings, Suchuylkill Center for Environmental Education Gallery, Philadelphia, PA
Undercurrents, Chautauqua Visual Arts Galleries, Chautauqua, NY
Arrivals, Form & Concept , Santa Fe, NM
The Data Imaginary: Fears and Fantasies, Flinders University Art Museum, Adelaide, Australia
2021
The Data Imaginary: Fears and Fantasies, Griffith University Art Museum, Australia
Fiber Art Now, New Bedford Art Museum, virtual exhibition
2020
Live Wire: Materials of Revolution, Form & Concept Gallery, Santa Fe, NM
Climate in Crisis, University of Nebraska Weber Art Gallery, Omaha, NE
Recall/Respond, Gilcrease Museum, Tulsa, OK
China-US Technology and Innovation in Fiber Art, Virtual Exhibition hosted by Academy of Art & Design, Beijing, China and University of the Arts, Philadelphia
2019
Documenting Change: Our Climate Past, Present & Future, CU Art Museum, Boulder, CO
Overflow, Gallatin Gallery, New York, NY
Shelter: Crafting a Safe Home, Springfield Museum of Art, Springfield, OH (traveling exhibition)
Seeing Now, 21C Museum, Oklahoma City, OK
2018
Way Bay 2, Berkeley Art Museum, Berkeley, CA
Land S(c)raping, Living Arts Gallery, Tulsa, OK
Art Now, Oklahoma Contemporary, Oklahoma City, OK
New Now, Philbrook Museum of Art, Tulsa, OK
Nature and Neon, Arrowmont, Gatlinburg, TN (Juried, 2nd Prize)
Your Mission Should Your Choose to Accept It, Mainsite Gallery, Norman, OK (collaboration with Rena Detrixhe)
Shelter: Crafting a Safe Home, Chazen Art Museum, Madison, WI (traveling exhibition)
Shelter: Crafting a Safe Home, Ohio Craft Museum, Columbus, OH (traveling exhibition)
2017
Shelter: Crafting a Safe Home, Contemporary Craft, Pittsburg, PA (catalogue)
Grassroots, Woman Made Gallery, Chicago, IL
2016
Hangzhou Triennial Of Fiber Art, Zhejiang Art Museum, Hangzhou, China
(Text)iles: The Text is a Fabric, Earl and Virgina Green Art Gallery, Los Angeles, CA
And Who is My Neighbor: Stories from the Margins, Earl and Virgina Green Art Gallery, Los Angeles, CA
2015
FiberSHED, Marin Community Foundation, Novato, CA
(processing) - Bay Area Artists and the Archive, Worth Ryder Art Gallery, Berkeley, CA
Introductions, Root Division, San Francisco, CA (catalogue)
All You Can Be, Gallatin Gallery, New York, NY
2014
The Possible, Berkeley Art Museum, Berkeley, CA
The Reading Room, Berkeley Art Museum, Berkeley, CA
International TECHstyle Art Biennial, San Jose Museum of Quilts & Textiles, San Jose, CA
Berkeley Civic Center Art Exhibition, Civic Center in Collaboration with Berkeley Art Center and Kala Art Institute, Berkeley, CA
Annual Juried Exhibition, Piedmont Center for the Arts (Juried, 3rd Prize)
Inspire Artists Who Inspire You, Pro Arts, Oakland, CA
2013
Textiles Show, Art Factory, Paterson, NJ
Encoded Identities, SNAP and Dc3 Art Projects, Edmonton, Alberta, Canada
MFA Thesis Exhibition, California College of the Arts, San Francisco, CA
Creole Processions, The Luggage Store Gallery, San Francisco, CA
The Procession of Future Artifacts, Asian Art Museum, San Francisco, CA
MFA Now, Root Division, San Francisco, CA
2012
Knots: Textile Topologies, College Avenue Galleries, Oakland, CA
In Abstentia, California College of the Arts, San Francisco, CA
John Baldessari: Class Assignments Optional, Wattis Institute for Contemporary Art, San Francisco, CA
Comfort, InFusion Gallery, Brooklyn, NY
2011
Wherehoused, PLAySPACE, San Francisco, CA
In Motion, College Avenue Galleries, Oakland, CA
Artists in Residence: 1st Addition, the Textile Arts Center, Brooklyn, NY
2010
Disposable: Ciudad Juarez and the War on Women, Gallatin Gallery, New York, NY
Fuente Ovejuna, Thalia Theater, Queens, NY
re:make, Pratt Gallery, New York, NY
Chaos and Order, Gallatin Gallery, New York, NY
Public Collections
Berkeley Art Museum
Georgia Museum of Art
Selected Honors & Awards
2024
Artist Residency, Stove Works, Chatanooga, TN
2023
Individual Artist Grant, Puffin Foundation, Teaneck, NJ
Artist in Residence, Digital Weaving, Berea College, Berea, KY
Monson Artist Residency, Monson, ME
Artist Residency, Prairie Ronde, Vicksburg, MI
Digital Weaving Residency, Praxis Fiber Workshop, Cleveland, OH
2022
Illinois Artist Fellowship - Crafts
Digital Weaving Residency, Praxis Fiber Workshop, Cleveland, OH
White Columns Curated Artist Registry
Nominee, Brandford Elliot Award, Textile Society of America
2021
Virtual Artist in Residence, Museum of Art & Design
Digital Weaving Residency, Praxis Fiber Workshop, Cleveland, OH
Artist in Residence, Sculpture Space, Utica, NY (awarded but could not attend)
Helene Wurlitzer Foundation Artist Residency, (awarded but could not attend)
2020
Finalist, Money for Women/Barbara Deming Memorial Fund Grant
Finalist, Foundwork Artist Prize
2019
Tulsa Artist Fellowship, Tulsa, OK
SciArt Bridge Residency for Cross-disciplinary Collaboration
Creative Projects Grant, Oklahoma Visual Arts Coalition
Fiber Focus Fellowship, AIR Serenbe, GA
WIP Residency, Textile Arts Center, New York, NY
Finalist, Foundwork Artist Prize
2018
Tulsa Artist Fellowship, Tulsa, OK
Wassaic Artist Residency, Wassaic, NY
Caldera Artist Residency, Sisters, OR
Nature and Neon Juried Exhibition 2nd Prize
2017
Tulsa Artist Fellowship, Tulsa, OK
2016
Windgate Fellowship funded Residency, Vermont Studio Center, Johnson, VT
2015
Collins Foundation funded Artist Residency, Oregon College of Art & Craft, Portland, OR
Lia Cook Jacquard Weaving Residency, California College of the Arts, Oakland, CA
Penland Residency (3 weeks), Penland, NC
2014
Piedmont Art Center Juried Exhibition 3rd Prize
2012
Toni A Lowenthal Merit Scholarship, California College of the Arts
Textile Society of America presenter scholarship
Studio Assistant full scholarship award, Penland School of Arts and Crafts
2011
Artist in Residence, Textile Arts Center, Brooklyn, NY
MA head of graduating class, award for academic achievement selected by faculty, NYU
Gallatin Merit Scholarships, NYU (2009-2011)
2010
Studio Assistant full scholarship award, Penland School of Arts and Crafts
2009
Reynolds Social Entrepreneurship Fellowship Finalist
Merit Scholarship, Arrowmont School of Arts and Crafts
Selected Bibliography/Press
“The Queue: Tali Weinberg,” Interview, American Craft Council Blog, Aug 18, 2023
“Seeing is Believing: Three Craft Artists Turn Scientific Data into Visual Works that Help Explain the World,” Paola Singer, American Craft Magazine, Fall 2023, p. 42-47
“Art Beat: Ecological Art,” Interviewed by Zinta Aistars, WMUK Public Radio, March 2, 2023
Kathryn Savage, Ground Glass, Coffee House Press, 2022 p. 153-156
Roxanne Escobales, “Woven from the Planets Woes,” The World Today, Chatham House, Oct/Nov 2021 p. 34-37
Miriam Quick, "Making Data Physical Could Help Us Care for the Planet," Nightingale: The Journal of the Data Visualization Society, April 21, 2020
Denna Jones, "The Telling of a Crisis,” COVER Magazine, Issue 59, Summer 2020
Molly Backes, “Bound Together: Tali Weinberg’s Tapestry of Climate Change,” Tulsa Voice, November 2019 issue A
James D. Watts Jr. “Tulsa Artist’s Exhibit Gives Unique View of Climate Change,” Tulsa World, November 6, 2019
Patrick Rogers, “The World’s Beauty and Destruction—Bound Together,” onEarth Magazine, October 2019
Interview with Amy Brady in “Burning Worlds,” online feature, May 2019
Alina Tugend, “ Can Art Help Save the P,lanet” New York Times, March 14, 2019, p. F36
Zack Reeves, "A Delicate Act: Review of Variations on the Theme of Loss," The Tulsa Voice, April-B, 2018
Tenzin Tsomo, "Tali Weinberg: Textile Translations," Surface Design Journal: Shifting Landscapes, Summer 2017, p. 20-26
Julie Chun, "Twisted, Knitted, Knotted, Stretched: The Second Hangzhou Triennial of Fiber Art," Randian, October 20, 2016
Leora Lutz, "Report: San Francisco," art ltd. September 2016
Evan Senn, "Translations, Textiles and Time Explored at Biola," Art and Cake (LA art blog), September 12, 2016
Charles Rosenblum, "In Review: Fiberart International 2016," Surface Design Journal: The Body Embellished Issue, Summer 2016
Stacy Nguyen, "(processing) digs into archives, tells new stories," The Daily Californian, Monday, October 19, 2015
Root Division, Introductions 2015 Catalogue, 2015
Root Division, MFA Now Catalogue. 2013
Popovic, Visnja, and Owyn Ruck. The Textile Artist's Studio Handbook. Quarry Books. 2012
Rodriquez, Isa. “Cochineal Revisited,” online feature, Textile Arts Center. December 21, 2010
Teaching
2023
Workshop Instructor, Material Matters (weaving), Penland School of Craft, NC
2021
Workshop Instructor, Re-materializing Climate Data, Museum of Art & Design, NY (online)
2019
Workshop Instructor, Sensing Climate: Digital Jacquard Weaving with Climate Data, in collaboration with ATLAS Research Institute’s Unstable Design Lab and Nature, Environment, Science, & Technology (NEST) Studio for the Arts, University of Colorado, Boulder, CO
Workshop Instructor, Sensing Climate , Textile Arts Center, New York, NY
Adjunct Professor, Design II (3-D Foundations), University of Tulsa, Tulsa, OK
2016
Lecturer, Storylines, California College of the Arts, Oakland, CA
Lecturer, Loom Logic, California College of the Arts, Oakland, CA
Workshop Instructor, Weaving Climate Data (1-day), Headlands Center for the Arts, Sausalito, CA
2014
Instructor, Weaving (2-week intensive), Penland School of Crafts, Penland, NC
2013
Teaching Assistant, Lia Cook, Weaving and Dyeing, California College of the Arts, Oakland, CA
2012
Teaching Assistant, Lia Cook, Weaving and Dyeing, California College of the Arts, Oakland, CA
Teaching Assistant, Hillary Steel, Ikat & Shibori, Penland School of Crafts (2-week intensive), Penland, NC
2011
Instructor, Silk Painting with Natural Dyes (4-week class), Textile Arts Center, Brooklyn, NY
2010
Teaching Assistant, Edwina Bringle, Intro to Weaving (2-week intensive), Penland School of Crafts, Penland, NC
Lectures & Conference Presentations
2023
“Interweaving Ecological and Corporeal Bodies,” Digital Weaving Conference, Praxis, Cleveland, OH
2022
Conference Presentation “What Color Was the Water?” Data Imaginary Symposium, Flinders University Art Museum, Adelaide, Australia (hybrid in-person/online)
Lecture, Portland Textile Month Festival, Portland, OR (online)
2021
Panelist, “Environmental Art in a Time of Crisis,” North Carolina Museum of Art (online)
Panelist, “Artists Interpret Climate Data,” Surface Design Association (online)
Panelist, “Between Belief & Reality: Revealing Water Crises,” WetLab & Gallatin Gallery (online)
Public Lecture, Kent State University Art Department, Kent, OH
2020
Public Lecture hosted by Botanical Colors, Virtual
Paper Presentation, “Re-Weavings: Data, Grieving, & Embodied Practice for Climate Crisis,” Session: Crafting Knowledges: Approaches Through Botany, Climate, and Multispecies Interactions,” College Art Association Conference, Chicago, IL
Public Lecture, 21C Museum, Oklahoma City, OK (cancelled due to Covid 19)
2019
Public Lecture, University of Nebraska, Omaha Art Department and Weber Gallery, Omaha, NE
Panelist, Artists & Climate Change Incubator, organized by The Arctic Cycle, New York, NY
Panelist, Conference on World Affairs, University of Colorado, Boulder, CO
2018
Panelist, “In Times of Seismic Sorrows,” with Rena Detrixhe (artist), Michelle Myers (activist, Center for Biological Diversity), and Jenny Dissen (NC Institute for Climate Studies) at Center for Craft, Asheville, NC
Public Lecture, "Variations on the Theme of Loss: Climate Change," 108 Contemporary, Tulsa, OK
2017
Paper Presentation, "It’s Not Just About the Rain: Materializing Climate Data as Woven Landscape," Session on Feminist Interventions in the Technosphere, College Art Association Annual Conference, New York, NY
2016
Keynote, Fiberart International, Pittsburgh, PA
2015
Panelist, Conversations on Craft: Mending, with Jovencio de la Paz, Rock Hushka, and Mark Newport at Oregon College of Art and Craft, Portland, OR
Visiting Artist Lecture, Oregon College of Art and Craft, Portland, OR
Public Lecture, Lia Cook Jacquard Artist in Residence, California College of the Arts, Oakland, CA
Panelist, "Drought Portraits: Text, Data, Color, Pattern," Parched: Dry Times in the Golden State, California Studies Association Conference, University of San Francisco, CA
2012
Paper Presentation, “Making (in) Brooklyn: Producing Textiles, Meaning, and Social Change,” Session on Sustainability in Textiles, Textile Society of American, Biennial Symposium: Textiles and Politics, Washington, DC
Visiting Artist Lecture & Natural Dyes Workshop, 2D Color Foundations, California College of the Arts, Oakland, CA
Visiting Artist Lecture, Sculpture Senior Projects, California College of the Arts, Oakland, CA
Visiting Artist Critiques
2023
Guest Critic and professional practice talk, MFA Program, University of Illinois, Urbana, IL
2022
Guest Critic, MFA Program, Minneapolis School of Art and Design, Minneapolis, MN
2021
Guest Critic, Kent State Textiles Department, Kent, OH
2019
Guest Critic, Intro to Textiles, University of Nebraska, Omaha, NE
2015
Guest Critic, MFA Program, Oregon College of Art and Craft, Portland, OR
Guest Critic, Hardcore Weaving, California College of the Arts, Oakland, CA
Writing & Publications
“Memories of Future Fires,” Bluestem Literary Magazine, Summer 2022
“Inextricably Bound: Mapping the Entanglement of Corporeal / Ecological / Economic / Political Bodies,” Ecotone: The Body Issue, Winter 2019, pg. 58-62
Caldera, artist book published by Walls Divide Press, November 2019, edition of 80
“Symbols of War,” Cooper Hewitt Museum Object of the Day blog, September 27, 2017
"Bodies on the Line," published in Text Means Tissue, edited by Francesca Capone, 2017, pg. 115-118
"Resistance," published in Love for Love Hate for Hate, edited by Beverly Acha, December 2016, pg. 68
Touring the Social Imaginary. PLAySPACE Catalogue co-edited with Gina Acebo. April 2013
“Making (in) Brooklyn: Producing Textiles, Meaning, and Social Change,” Proceedings: Textiles & Politics, Textile Society of America 13th Biennial Symposium. September 2012
“Notes on Place & Process: Mono Lake,” and “Notes for an Abridged Mending Dictionary.” CraftLab Journal, edited by Caroline Charuk and Nicole Markoff. Fall 2011
“Good Work in Progress,” curatorial essay for GOOD WORK Exhibition Catalogue, Published by the Textile Arts Center. May 2011
Thread and Roses, online feature for the Textile Arts Center on textiles and social change
· “A Century of Weaving in North Carolina,” June 20, 2011
· “Gandhi’s Homespun Revolution,” May 16, 2011
· “Art and Activism for the 100th Anniversary of the Triangle Shirtwaist Factory Fire,” March 21, 2011
“Tracing Linen’s Lines,” online feature for the Textile Arts Center, Sewing Seeds Project, April 21, 2011
Curatorial Projects and Exhibitions Juried
2022, Juror, sustainABILITY, New England Quilt Museum, Studio Art Quilt Association, Lowell, MA
2017, Juror, Thread Heads: New Bay Area Fiber Art, Berkeley Art Center, Berkeley, CA
2015-16, Juror, Fiberart International Triennial, Pittsburgh Center for the Arts and Society for Contemporary Craft, Pittsburgh, PA
2014, Juror, New Directions: Examining the Past, Creating the Future, Craft & Folk Art Museum, Los Angeles, CA
2014, Juror, Textilities, Oliver Art Center, Oakland, CA
2013, Co-Curator, Ellemenopee, (Maysha Mohamedi Solo Show) for PLAySPACE
2013, Co-Curator, Conjuring Multiple Histories, (Sadie Harmon and Lauren Marie Taylor) for PLAySPACE, public practice throughout Oakland and San Francisco, CA
2013, Co-Curator, CatalystTransit, Ana Labastida for PLAySPACE, public practice throughout Oakland and San Francisco, CA
2012, Co-Curator, Pointless Show, (Arash Fayez and Christie Noh, 2-person exhibition) for PLAySPACE, Kearny Street Workshop, San Francisco, CA
2011. Co-Curator, In Motion, College Avenue Galleries, Oakland, CA
2011, Curator, GOOD WORK, Textile Arts Center, Brooklyn, NY
Education
2013, MFA, California College of the Arts
2011, MA, New York University
2004, BA, New York University